Statement on Harassmentfrom The Lilly Awards.
In December of 2014, Attorney Norman Siegel, and a small group of theater professionals met to discuss harassment and abuse in the theatrical community. They drew up a preliminary Statement of Principle in order to raise awareness and identify ways in which the handling of such cases could be improved. On January 12, 2015, a larger group of supporters and representatives from the AEA, Dramatists Guild and the SDC met at New Dramatists to discuss it. The following Statement is the result of that discussion, incorporating the criticisms and ideas generated by the group. Over five hundred theater professionals and advocates have signed on to support the statement. We hope the Coalition of Broadway Unions and Guilds will give the following ideas and concerns their due consideration. The statement is published below.
Statement of PrincipleNo one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production.
Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution.
In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsibility for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem.
The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. All of these roles continue to be held predominantly by men and their victims are predominantly women. An unresolved conflict with a person in power can easily become an ongoing barrier to career opportunities throughout a woman’s career. Harassment and abuse are contributing factors that slow the advancement of women in theater.
We are aware of men being intentionally injured during performances, as well as gay and straight men being harassed and abused in much the same way as women have been. Victims can be anyone, stagehands as well as actresses, designers as well as writers. A more robust and victim-centered response to the problem will move the culture forward and benefit all.
The theater community has long whispered, laughed and written about harassment in its ranks, telling tales of the casting couch and out of control stars. It is past time we stopped ignoring or even encouraging abusive behavior and publicly recognize the existence of sexual discrimination, harassment, and gender-based violence within our community. It is time to confront and overcome this abuse.
HARD SPARKS does not condone, and will not tolerate, abuse or harassment of any kind, at any time. Harassment on the basis of race, color, creed, ancestry, national origin, age, disability, sexual orientation, gender identity, marital status, or arrest or conviction record is unacceptable. We are here to empower and inspire artists and audiences alike, and to do so in a way that treats everyone with dignity and respect. This is pledge to do exactly that.
In December of 2014, Attorney Norman Siegel, and a small group of theater professionals met to discuss harassment and abuse in the theatrical community. They drew up a preliminary Statement of Principle in order to raise awareness and identify ways in which the handling of such cases could be improved. On January 12, 2015, a larger group of supporters and representatives from the AEA, Dramatists Guild and the SDC met at New Dramatists to discuss it. The following Statement is the result of that discussion, incorporating the criticisms and ideas generated by the group. Over five hundred theater professionals and advocates have signed on to support the statement. We hope the Coalition of Broadway Unions and Guilds will give the following ideas and concerns their due consideration. The statement is published below.
Statement of PrincipleNo one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production.
Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution.
In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsibility for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem.
The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. All of these roles continue to be held predominantly by men and their victims are predominantly women. An unresolved conflict with a person in power can easily become an ongoing barrier to career opportunities throughout a woman’s career. Harassment and abuse are contributing factors that slow the advancement of women in theater.
We are aware of men being intentionally injured during performances, as well as gay and straight men being harassed and abused in much the same way as women have been. Victims can be anyone, stagehands as well as actresses, designers as well as writers. A more robust and victim-centered response to the problem will move the culture forward and benefit all.
The theater community has long whispered, laughed and written about harassment in its ranks, telling tales of the casting couch and out of control stars. It is past time we stopped ignoring or even encouraging abusive behavior and publicly recognize the existence of sexual discrimination, harassment, and gender-based violence within our community. It is time to confront and overcome this abuse.
HARD SPARKS does not condone, and will not tolerate, abuse or harassment of any kind, at any time. Harassment on the basis of race, color, creed, ancestry, national origin, age, disability, sexual orientation, gender identity, marital status, or arrest or conviction record is unacceptable. We are here to empower and inspire artists and audiences alike, and to do so in a way that treats everyone with dignity and respect. This is pledge to do exactly that.
